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WORK II

WORK I

Implemented by METHOD I  steps

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While examining the building, I was impressed by the interweaving of the Early Byzantine Period geometric shapes. This was also a reflection of the Selçuklu illumination art.

As Hagia Sophia represent palace for me, I used the stone reliefs in the mihrab of the Konya Karatay Madresesi while representing the directional lines in the carpet.

Each of the colors used has a symbolic meaning:

PELİN TEZÖLMEZ
Calligraphy and Illumination Design Artist

Click here to see the application on Hagia Sophia

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